I’m getting better at taking selfies–really I am–though I doubt they’d help me sell any books if I stuck my image on the back. Aging, graying, not quite sure which direction to look in–would you buy a book photographed by me? More importantly–from my point of view anyway–would you buy a book written by me? And can you write a selfie?
Photographic selfies come–or at least they came–in many forms. Here’s my first one, taken through a mirror.
Hmmm, a little blurred isn’t it, like one of those out-of-focus stories that never quite gets to the point, or has so many points the reader can’t find them? Next came the camera-on-the-computer selfie, with me so proud, holding the first (of many) proofs.
Are you looking at the books or the writer here? If you read my stories, will you see my characters or me? Then I ponder: Even if my opinions don’t totally obscure the scene, they can still distract (and detract from the best-told tale). But At last I got a phone with a backward-facing lens–my chance to take a real, modern-day selfie. What do you think?
Look up, look down, look straight, left, right, or somewhere: Choose an angle, I guess, but surely don’t choose this one, in writing or photography, from which I conclude, points of view are really quite important.
I tried again. Does this one work…
…or should I have chosen a background that made sense? Set a scene that’s understandable for the reader or the viewer–that’s one to remember.
And then there was this. What do you think?
(No glasses – the wonders of cataract surgery earlier this year!)
Someone suggested that everyone we write about lives in our heads (unless we’re writing biographies I suppose). So all those characters entering and leaving rooms, victims and perpetrators of crimes, male, female, adult, child… are they all me? Is every character study in my novel a selfie from some hidden part of my mind?
I don’t know the answer, but the question did inspire a writing exercise:
Now Write
- Imagine yourself entering a room–to win a writing prize perhaps, or to stop your child from crying, or…
- Describe your entry from your own point of view–are you confident, scared, excited… how do you walk? Is your breathing slow or fast? Where are your eyes focused? What are you doing with your hands? And what are you wearing; how does the fabric move with you, or the wind blow your hair?
- Describe your entry from the point of view of someone who’s glad to see you–parent, child, spouse, best friend, eager recipient of your benevolence… Who or what do they see, hear, or smell, and what thoughts fill their minds?
- Now describe your entry from the point of view of someone who’s not pleased to see you–the person who hoped to win the prize, the cat who hoped to stay with the child, the monster returned to its closet…
- And finally, turn one of those descriptions into a story.